Saturday, February 11, 2006
Saturday, December 24, 2005
Sunday, December 18, 2005
Saturday, December 17, 2005
Friday, March 04, 2005
In this inspiring new series from Voronin, we are given over 150 photos of the incomparable model, Juman. Met-Art.com members have come to know Juman through a variety of photo galleries and videos, yet she never ceases to dazzle and amaze with her exotic, decidedly sensual style. Her brunette, gypsy-like appearance draws the viewer into a world perhaps long gone, yet imminently available through the power of Met-Art.com’s continuing dedication to the daily experience of savoring beauty.
And it is to the unique and compelling persona of Juman that we turn in this essay, extracting from these images what we can in order to “get to know” this delightful young woman. In many ways, Juman has become the Cleopatra of Met-Art.com. She has the same power and mystique as the ancient queen of Egypt, and one can certainly imagine Roman warriors throwing away their military duties to spend “luxurious moments” in her presence. Yet what, specifically, is it about Juman that makes her so capable of drawing in our gaze?
One could say without any irony that Juman possesses all the qualities of the classic “Dark Lady.” We have come to know this entity through the works of Shakespeare specifically, but it has been a device of poets since the Middle Ages. The “Dark Lady” is a tempting, mysterious, and, of course, “dark” young woman who comes to possess a certain power over her admirers due primarily to the apparent difficulty at “getting to know her.” She does not readily submit to analysis. There is a power behind her stare, emanating from the glorious image of her naked body, that cannot be named and yet can also not be avoided.
Juman has such a power. She seems to function best in shadow, turning her body at all angles, taking advantage of the light. In her eyes one beholds a deep knowledge of her seductive capabilities, yet at the same time there is a certain tenderness, or innocence, that shimmers from those brown pupils. She is letting us in, but not too quickly. We must work, and wait, and then we will arrive at her heart.
Of course, none of this would be possible without the master craft of Voronin, particularly on display in this stunning, large series of photos. Inside we get Juman in every sense. From the front, from the side, from behind, always with that same “come hither” stare. To view this photo series of Juman is to experience a young woman in all her entirety. And that, in a sense, is the true gift of Met-Art.com and its brilliant photographers and models.
And it is to the unique and compelling persona of Juman that we turn in this essay, extracting from these images what we can in order to “get to know” this delightful young woman. In many ways, Juman has become the Cleopatra of Met-Art.com. She has the same power and mystique as the ancient queen of Egypt, and one can certainly imagine Roman warriors throwing away their military duties to spend “luxurious moments” in her presence. Yet what, specifically, is it about Juman that makes her so capable of drawing in our gaze?
One could say without any irony that Juman possesses all the qualities of the classic “Dark Lady.” We have come to know this entity through the works of Shakespeare specifically, but it has been a device of poets since the Middle Ages. The “Dark Lady” is a tempting, mysterious, and, of course, “dark” young woman who comes to possess a certain power over her admirers due primarily to the apparent difficulty at “getting to know her.” She does not readily submit to analysis. There is a power behind her stare, emanating from the glorious image of her naked body, that cannot be named and yet can also not be avoided.
Juman has such a power. She seems to function best in shadow, turning her body at all angles, taking advantage of the light. In her eyes one beholds a deep knowledge of her seductive capabilities, yet at the same time there is a certain tenderness, or innocence, that shimmers from those brown pupils. She is letting us in, but not too quickly. We must work, and wait, and then we will arrive at her heart.
Of course, none of this would be possible without the master craft of Voronin, particularly on display in this stunning, large series of photos. Inside we get Juman in every sense. From the front, from the side, from behind, always with that same “come hither” stare. To view this photo series of Juman is to experience a young woman in all her entirety. And that, in a sense, is the true gift of Met-Art.com and its brilliant photographers and models.
Sunday, February 27, 2005
Thursday, February 17, 2005

This is one of my favorites with the Young Ladys long Blonde hair flowing over her breast. See more at Met-Art











